New appointment on JSM radio, every Sunday from 1 pm till 4 pm will henceforth be the opportunity for all to discover the musical novelties which we added for each week. In this issue, it is two or three complete albums which we suggest you listening to. Then, these songs are programmed in the radio following their style or origin.
On Sunday, in “New song, New bit on JSM”, I suggest you leaving at the border of the Mediterranean Sea with two albums from Spain and Italy. All these songs are added to the program “Mediterranean jazz” which you find on Wednesday from 3 pm till 5 pm and on Fridays from 5 pm till 7 pm.
This anthology shows how pianist Chano Dominguez confronts pieces signed by Thelonious Monk. A double CD set produced by Fernando Rosado for Nuba Records, to discover the Flamenco jazz. Guitarist Paco de Lucía believes that flamenco can absorb befitting influences. Flamenco jazz is therefore quite in keeping providing that the genre’s roots and general objectivity are well-dosed.
Chano Domínguez : Well you needn’t
• Carlos Piñana : Dejate llevar
• Javier Denis : El vito
• Gerardo Nuñez : Calima
• Ramón Jiménez : Ande yo caliente
• Juan Cortés : Chaneando
• Agustín Carbonell “bola” : La Raiz se mueve
• Henry Vincent : Romance Arabe
• Sergio Monroy : Cuando diga jazz
• Pepe Justicia : Sierra Mágica
• Guillermo McGill : Alegrias del rio de la plata
• Chano Domínguez : Bemsha swing
• Chano Domínguez : solo con verte
• Pedro ojesto : Tarifa Istambul
• Juan Cortés : Asako
• Juan Diego : Valor de cai
• Henry Vincent : Colores del mediterraneo
• Carlos Piñana
• Agustín Carbonell “bola” : la rumba de pancho
• Saguiba jumping in tribujena
• Alberto conde trio : Judería
• Ana Salazar & Pedro Ojesto trio : La Brisa
• Guillermo McGill : Entre Piedras
• Chano Domínguez : El Toro y la Luna.
For its second release, this fascinating ensemble chose to record two extended suites by band members Bruno Tommaso and Giorgio Gaslini. Tommaso's "Il Maestro Muratore" (The Master Mason), inspired by the Sardinian sculptor Constantino Nivola, begins superbly with a spirited romp based on a Sardinian folk dance and featuring high-wire soloing by trumpeter (and founder) Pino Minafra and Carlo Actis Dato on bass clarinet. The remainder of the piece meanders a bit, genre-hopping in postmodern fashion but doing so with perhaps less grace than one would wish.
The suite ends with a reprise of the opening theme, and one only wishes the same verve and vigor could have been sustained throughout the composition. Gaslini's title piece is similarly wide ranging, though with a early 20th century European cosmopolitan feel befitting several of its dedicatees from art, music, and film. While the thematic material might have echoes of parlor music and cabarets, the solos are firmly in the avant-garde tradition, forming a counterpoint that is initially beguiling but grows a bit thin with repetition. Still, there are jewels within, such as the lovely miniature tribute, "Satie Satin," and the closing homage to Fellini with its luxuriant nods to Nino Rota. At this point in the Italian Instabile Orchestra's journey, the listener still has the impression that the best of this band had not yet been captured on disc, but there are enough high points herein to make it well worth a listen.
1.Il Maestro Muratore: Il Maestro Muratore
2.Il Maestro Muratore: Squilli Di Morte
3.Il Maestro Muratore: Corbu
4.Il Maestro Muratore: Meru Lo Snob
5.Il Maestro Muratore: l'Arte Mistica del Vasaio
6.Il Maestro Muratore: Il Maestro Muratore [Represa]
7.Skies of Europe: Du du Duchamp
8.Skies of Europe: Quand Duchamp Joue du Marteau
9.Skies of Europe: Il Suono Giallo
10.Skies of Europe: Marlene E Gli Ospiti Misteriosi
11.Skies of Europe: Satie Satin
12.Skies of Europe: Masse D'Urto (A Michelangelo Antonioni)
13.Skies of Europe: Fellini Song
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