Happy new years ! Lot of fun, lot of music, lot of goods concerts...
We come back and we start again with new music every Sunday from 1 pm till 4 pm (Paris Time). You can listen three new complete albums in playlist. Indeed on, these pieces are then programmed in the usual program of the radio following their style or origin.
...This Sunday, a special gipsy jazz, we addet:
Chriss Campion / Yorgui Loeffler / Steeve Laffont "Latchés"
Adrien Moignard - All The Way chez Dreyfus Jazz
Boulou Ferre Quartet : "Relax and Enjoy"
Just one video for see
Showing posts with label Jazz Manouche. Show all posts
Showing posts with label Jazz Manouche. Show all posts
Saturday, January 22, 2011
Friday, July 2, 2010
New song, New bit on JSM 16 this sunday 4 July
Every Sunday from 1 pm till 4 pm (Paris Time), you can listen three new complete albums in playlist. Indeed on, these pieces are then programmed in the usual program of the radio following their style or origin.
...This Sunday, we addet:
- "Ruby, My Dear" by Richard Galliano
Recorded live in Italy, this program of invigorating music opens on its most sentimental and overwrought note with Thelonious Monk's "Ruby, My Dear. The lushness of Galliano's interpretation may sometimes feel a bit heavy-handed, and if it were placed further back in the program, it would sing a little more truthfully. He uses the accordion to sweep across the melody and works the standard in a number ways. And even if it does sound a bit affected, it orients the listener for an album that consistently outperforms any preconceived notions.
...This Sunday, we addet:
- "Ruby, My Dear" by Richard Galliano
Recorded live in Italy, this program of invigorating music opens on its most sentimental and overwrought note with Thelonious Monk's "Ruby, My Dear. The lushness of Galliano's interpretation may sometimes feel a bit heavy-handed, and if it were placed further back in the program, it would sing a little more truthfully. He uses the accordion to sweep across the melody and works the standard in a number ways. And even if it does sound a bit affected, it orients the listener for an album that consistently outperforms any preconceived notions.
Friday, April 9, 2010
New song, New bit on JSM 5
Every Sunday from 1 pm till 4 pm now we can listen to the novelties of the week on JSM Radio. In this issue, it is three complete albums in playlist which we suggest you listening to. Indeed on, these pieces are then programmed in the usual program of the radio following their style or origin.
Simply beautiful!
If you're new to Latin Jazz this is an excellent introduction to one of the most sensual and vibrant music genres. To those reviewers who don't agree that this is a fair example of the music: the Latin world is vast, its history and people are diverse and its music reflects this. The Buena Vista Social Club are just one small example of the energy that is the Latin world.
Simply beautiful!
If you're new to Latin Jazz this is an excellent introduction to one of the most sensual and vibrant music genres. To those reviewers who don't agree that this is a fair example of the music: the Latin world is vast, its history and people are diverse and its music reflects this. The Buena Vista Social Club are just one small example of the energy that is the Latin world.
Wednesday, April 7, 2010
Here the program, as you discover it's a big mix but it is a good mix of jazz. There is some for all tastes or for those that as I like all this styles following my mood, the instant and the place where I am...
Good music and I wait for your wishes and other remarks to improve "Jazz, Swing, Manouche Radio" !
Good music and I wait for your wishes and other remarks to improve "Jazz, Swing, Manouche Radio" !
Labels:
BeBop,
Blues,
Boogie-Woogie,
Jazz Manouche,
Jazzact,
New song New bit,
program,
Ragtime,
Swing Times,
World Jazz
Friday, March 12, 2010
New song, New bit on JSM 2
Every Sunday from 1 pm till 4 pm now we can listen to the novelties of the week on JSM Radio. In this issue, it is three complete albums in playlist which we suggest you listening to. Indeed on, these pieces are then programmed in the usual program of the radio following their style or origin.
For listen you can go here: http://www.radionomy.com/j azz-swing-manouche-radio.a spx
“Move” from Bireli Lagrene (Jazz Manouche)
This album shows why Bireli Lagrene is a master guitarist. Bireli is not only one of the best living guitar players in gypsy jazz - he is also one of the most creative. On this album, he gives us a new take on Django's music that is simply stunning. "Move" has a smaller, more focused sound that it's predecessors, and the addition of the saxophone brings a really fresh twist to this great old music.
1. Un certain je ne sais quoi (Diégo Imbert) 3’23
2. Mélodie au crépuscule (Django Reinhardt) 2’41
3. Hungaria (Django Reinhardt) 2’51
4. Clair de lune (Etienne Beaurouge / Joseph Kosma) 4’39
5. Place du tertre (Biréli Lagrène) 4’53
6. Troublant bolero (Django Reinhardt) 4’31
7. Move (Denzill Best / Paul Walsh) 2’50
8. Nuages (Jacques Larue / Django Reinhardt) 4’56
9. Cherokee (Ray Noble) 4’28
10. Danse norvégienne (Django Reinhardt) 5’20
11. This can’t be love (Hart Lorenz / Richard Rodgers) 4’08
12. Victor (Frank Wolf) 3’14
13. Mimosa (Hono Winterstein / Dorado Schmitt) 3’18
14. Jadis (Biréli Lagrène) 2’43
Burhan Öçal & Jamaaladeen Tacuma - Groove Alla Turca (Featuring Natacha Atlas)
"Groove Alla Turca" is a project that brings together two worlds apart; the world of Burhan Öçal, who grew up playing traditional rhythms of Turkey, with that of Jamaaledeen Tacuma, a world of jazz, blues, funk and soul. This is a meeting of percussion and bass, rhythm and groove, of traditional players on kanun, oud and clarinet, darbuka and violin. Jamaaladeen Tacuma is joined by some of the finest musicians from New York and Philadelphia, Jack Walrath, a long time associate of Mingus, is the trompet in the horn section. Art Baron and Ben Schachter complete the front-line on the trombone and tenor, Daryl Burge and Rick Iannacone, both from Phili, are the force behind, on the drums and the guitar. It was a destiny to have Natacha Atlas on four tracks, as she happened to be in town during the recording sessions. Her presence seems all planned as her Arabic vocals flow wih the groove. The result is a funky sound with many colors, a big sound with many details. This is jazz, funk, ethnic, tradition. This is groove in a Turkish way.
01. Nihavend Longa - 6:42 (Anonymous, Burhan Öçal)
02. Habibi - 5:39 (Burhan Öçal)
03. Groove Alla Turca - 5:25 (Burhan Öçal & Jamaaladeen Tacuma)
04. Elhamdulillah - 7:58 (Jamaaladeen Tacuma)
05. El Nino - 4:44 (Burhan Öçal)
06. Two By Two - 5:22 (Burhan Öçal)
07. Kısmet - 9:02 (Jamaaladeen Tacuma)
08. I Can Feel It - 0:29 (Jamaaladeen Tacuma)
09. Katibim - 6:09 (Anonymous, Burhan Öçal)
10. Saz Caz - 8:51 (Burhan Öçal & Jamaaladeen Tacuma)
11. Gene Gel - 5:11 (Burhan Öçal)
12. Later For Now - 0:16 (Burhan Öçal & Jamaaladeen Tacuma)
Jorge Pardo y Chano Dominguez, « 10 de Paco », (Nuevos Medios, 1995)
People might not expect flamenco on an album featuring piano, soprano and tenor sax, flute and double bass. 10 de Paco, an album featuring 10 well-known songs composed by Paco de Lucia, has no Spanish guitar on any of its tracks. Still, this recording by Jorge Pardo and Chano Dominguez is one of the most flamenco-oriented albums I've ever had the chance to listen to.
Of course, there is more than flamenco to it, taking into account who is involved in the project. There's jazz, or let's say flamenco-jazz (that thing that Pedro Iturralde started as a very experimental jam-session).There's improvisation, there's some type of "classical" style at particular moments in the way that Chano develops and harmonizes the melodies and in his interpretation, and there is a bunch of unusual development on the percussion side of things.
This is a highly recommended album from all points of view.
1. Solo Quiero Caminar
2. Chiquito
3. Rio Ancho
4. Zyriab
5. Tumbona
6. Se Me Partió la Barrena
7. Almoraima
8. Playa del Carmen
9. Monasterio de Sal
10. Cancion de Amor
For listen you can go here: http://www.radionomy.com/j
“Move” from Bireli Lagrene (Jazz Manouche)
This album shows why Bireli Lagrene is a master guitarist. Bireli is not only one of the best living guitar players in gypsy jazz - he is also one of the most creative. On this album, he gives us a new take on Django's music that is simply stunning. "Move" has a smaller, more focused sound that it's predecessors, and the addition of the saxophone brings a really fresh twist to this great old music.
1. Un certain je ne sais quoi (Diégo Imbert) 3’23
2. Mélodie au crépuscule (Django Reinhardt) 2’41
3. Hungaria (Django Reinhardt) 2’51
4. Clair de lune (Etienne Beaurouge / Joseph Kosma) 4’39
5. Place du tertre (Biréli Lagrène) 4’53
6. Troublant bolero (Django Reinhardt) 4’31
7. Move (Denzill Best / Paul Walsh) 2’50
8. Nuages (Jacques Larue / Django Reinhardt) 4’56
9. Cherokee (Ray Noble) 4’28
10. Danse norvégienne (Django Reinhardt) 5’20
11. This can’t be love (Hart Lorenz / Richard Rodgers) 4’08
12. Victor (Frank Wolf) 3’14
13. Mimosa (Hono Winterstein / Dorado Schmitt) 3’18
14. Jadis (Biréli Lagrène) 2’43
Burhan Öçal & Jamaaladeen Tacuma - Groove Alla Turca (Featuring Natacha Atlas)
"Groove Alla Turca" is a project that brings together two worlds apart; the world of Burhan Öçal, who grew up playing traditional rhythms of Turkey, with that of Jamaaledeen Tacuma, a world of jazz, blues, funk and soul. This is a meeting of percussion and bass, rhythm and groove, of traditional players on kanun, oud and clarinet, darbuka and violin. Jamaaladeen Tacuma is joined by some of the finest musicians from New York and Philadelphia, Jack Walrath, a long time associate of Mingus, is the trompet in the horn section. Art Baron and Ben Schachter complete the front-line on the trombone and tenor, Daryl Burge and Rick Iannacone, both from Phili, are the force behind, on the drums and the guitar. It was a destiny to have Natacha Atlas on four tracks, as she happened to be in town during the recording sessions. Her presence seems all planned as her Arabic vocals flow wih the groove. The result is a funky sound with many colors, a big sound with many details. This is jazz, funk, ethnic, tradition. This is groove in a Turkish way.
01. Nihavend Longa - 6:42 (Anonymous, Burhan Öçal)
02. Habibi - 5:39 (Burhan Öçal)
03. Groove Alla Turca - 5:25 (Burhan Öçal & Jamaaladeen Tacuma)
04. Elhamdulillah - 7:58 (Jamaaladeen Tacuma)
05. El Nino - 4:44 (Burhan Öçal)
06. Two By Two - 5:22 (Burhan Öçal)
07. Kısmet - 9:02 (Jamaaladeen Tacuma)
08. I Can Feel It - 0:29 (Jamaaladeen Tacuma)
09. Katibim - 6:09 (Anonymous, Burhan Öçal)
10. Saz Caz - 8:51 (Burhan Öçal & Jamaaladeen Tacuma)
11. Gene Gel - 5:11 (Burhan Öçal)
12. Later For Now - 0:16 (Burhan Öçal & Jamaaladeen Tacuma)
Jorge Pardo y Chano Dominguez, « 10 de Paco », (Nuevos Medios, 1995)
People might not expect flamenco on an album featuring piano, soprano and tenor sax, flute and double bass. 10 de Paco, an album featuring 10 well-known songs composed by Paco de Lucia, has no Spanish guitar on any of its tracks. Still, this recording by Jorge Pardo and Chano Dominguez is one of the most flamenco-oriented albums I've ever had the chance to listen to.
Of course, there is more than flamenco to it, taking into account who is involved in the project. There's jazz, or let's say flamenco-jazz (that thing that Pedro Iturralde started as a very experimental jam-session).There's improvisation, there's some type of "classical" style at particular moments in the way that Chano develops and harmonizes the melodies and in his interpretation, and there is a bunch of unusual development on the percussion side of things.
This is a highly recommended album from all points of view.
1. Solo Quiero Caminar
2. Chiquito
3. Rio Ancho
4. Zyriab
5. Tumbona
6. Se Me Partió la Barrena
7. Almoraima
8. Playa del Carmen
9. Monasterio de Sal
10. Cancion de Amor
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